CR 58:3/4, “Elliott Carter: Settings” is at the printer! In addition to the launch reading and concert next week at the University of Chicago, be sure to join us in print by preordering now. The new issue features A PORTFOLIO of Carter’s essays on composition; his correspondence with John Ashbery and John Hollander; a checklist […]Read more »
Issue 57:01 — Autumn 2012
CR 58.2 is at the printer. Preorder now to look forward to
POEMS by Karla Kelsey, Donna Stonecipher, Clark Coolidge, Amanda Nadelberg, Oliviero Girondo (tr. Harris Feinsod & Rachel Galvin), Hirato Renkichi (tr. Sho Sugita), and Lisa Cattrone;
FICTION by Eduard Márquez (tr. Lawrence Venuti), Christina Hesselholdt (tr. Roger Greenwald), Michelle Dove, Brandi Wells;
CORRESPONDENCE between Robert Creeley and Larry Eigner (July—September 1951);
An ESSAY on lyric by Paul van Ostaijen (tr. Sascha Bru & Tom Willaert); an ESSAY on Edward Dorn by Stephen Fredman;
An INTERVIEW with Valerio Magrelli (by Dylan J. Montanari);
A host of fantastic REVIEWS: Richard Eldridge on Oren Izenberg, Nausicaa Renner on Lisa Robertson, Denise Dooley on Sigizmund Krzhizhanovsky, Brady Smith on Ivan Vladislavic, Jose-Luis Moctezuma on Heriberto Yepez, Michael Autrey on Karl Ove Knausgaard, Andrew Peart on Richard Owens;
and a gorgeous COVER by Chicago’s Sonnenzimmer (www.sonnenzimmer.com)Read more »
There’s so much to look forward to:
A strange and wonderful insert on the typography of blank pages, by Laksmi Cohen-MacGregor;
New poems by Lisa Jarnot, Phil Cordelli, Alfred Starr Hamilton, Eric Ellingsen, Tom Raworth, Marjorie Welish, Wong May; and Abdellatif Laâbi, translated by Andrew Zawacki;
New fiction by Matthew Nye; Felicitas Hoppe, translated by A. A. Srinivasan; and Sergio Pitol, translated by Cynthia Steele;
Nonfiction by Nathanaël, Rob Halpern, and J. H. Prynne;
A note on Kirill Medvedev; and, as always, rich reviews.Read more »
“Crass. Delicate. Geometric. Spare. Ammons’ work ties up our ways of knowing the world in a textile, one that reaches beyond the view of the eye when held up at arm’s reach. It is crass because it understands the world is profane in its abundance. It is delicate because it intimately knows the bluejays, pebbly sluices, orange juice, broken bones, and the after-effects of spring rains on earth worms’ chances of survival.
The Chicago Review keeps this substance in its rawest form, displaying copies of unpublished, typewritten, hand-edited drafts. (It even has the scroll of Ammons’ long poem Tape copied on its spine.) And the volume also provides sufficient analytical footwork, via four well-crafted essays, to catch the reader up to speed on the major readings of Ammons’ premier poems.”Read more »
A Vivian Maier photo gallery;
Essays on Ecopoetics by Jed Rasula and David Nowell Smith;
New poems by Martha Ronk, Amaranth Borsuk, Jesse Seldess, Frederick Farryl Goodwin, Merrill Gilfillan, Rae Armantrout, Tim Earley, and Jena Osman. Aeschylus translated by John Tipton. Karl Larsson translated by Jennifer Hayashida. Michael Donhauser translated by Andrew Joron;
New fiction by Helen DeWitt and xTx. Luisa Valenzuela translated by Kirk Nesset;
Nonfiction by Gerald Bruns, Brian Blanchfield & Merrill Gilfillan, and Viktor Zhirmunsky (translated by John Hoffmann);
And, as always, a rich selection of notes and reviews.Read more »
Chicago Review looks forward to seeing you at #AWP15. We’ll be at table 755 with the University of Chicago’s Creative Writing & Poetics crew and the lovely people from the University of Chicago Master’s in Humanities program.
Drop by for a sneak peek at pages from our upcoming 59.1/2, witty repartee, and deals on subscriptions and back issues. Keep your eyes peeled on Facebook for news about a top-secret get-together on Saturday night (4/11/15), and listen in live as we tweet the conference away: @chireview.
Conversation with Clark Coolidge
presented by Chicago Review and the Program in Poetry & Poetics
Thursday, Oct 9, 4.30-6:00pm
Midway Studios 108
University of Chicago
Midway Studios is located on the corner of 60th St and Ingleside Avenue, on the south side of the Midway Plaisance.
CR 58:3/4 launch reading and concert
Chicago Review is pleased to present a release reading and concert for 58:3/4: Elliott Carter: Settings
Poetry reading by Clark Coolidge. Concert by soprano Tony Arnold, pianist Jacob Greenberg, performing Elliott Carter’s songs, Of Challenge and of Love and “Voyage”
Friday, October 10, 2014
Fulton Recital Hall, Goodspeed Hall
University of Chicago
Refreshments will be served.
Fulton Recital Hall is located on the fourth floor of Goodspeed Hall. Street parking is available along the Midway Plaisance. Directions and parking map located here.
Cosponsored by the Program in Poetry and Poetics and UChicago Arts.
Clark Coolidge is the author of more than twenty books of verse and prose, including Own Face, At Egypt, The Crystal Text, The Maintains, Solution Passage, and Mine: One That Enters the Stories. He is also the editor of Philip Guston: Collected Writings, Lectures, and Conversations (The Documents of Twentieth-Century Art), 2010. His most recent books are 88 Sonnets (2012) and A Book Beginning What and Ending Away (2013), both from Fence Books. A lifelong drummer, he is currently a member of the free improv group Ouroboros.
Soprano Tony Arnold is a member of the International Contemporary Ensemble (ICE), and performs frequently with Ensemble Modern, Chicago Symphony Orchestra’s MusicNOW, L.A. Philharmonic New Music Group, Santa Fe Chamber Music Festival, and in international festivals on four continents. She works closely with the most celebrated composers of our day, including Crumb, Furrer, Kurtág, Aperghis, Lang. To date, Arnold has premiered over 200 works written expressly for her voice. One of the most recorded singers of contemporary music, her discography includes the 2006 Grammy nominated Ancient Voices of Children on Bridge Records.
Pianist Jacob Greenberg is also a member of the International Contemporary Ensemble (ICE), for which he also serves as Director of Education. A leading pianist of modern song, he has toured extensively with soprano Tony Arnold; their 2013 recording of Olivier Messiaen’s Harawi has been singled out by critics. He has recorded for the Bridge, Naxos, Mode, Kairos, Centaur, Tzadik, and New Amsterdam labels, and live performances have been heard on WQXR New York, BBC Radio 3, WFMT Chicago and Radio Netherlands. His critically acclaimed solo disc, Solitary, was released in 2010 on New Focus Recordings.